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Silvia

Silvia Bonacini In Memoriam
Interpreter of the history of the stones

Silvia was our very first guide when we launched Cornucopia Journeys in 2013.  She guided every one of our clients around Florence who visited here between 2013 and 2017, with only one or two exceptions when she was overbooked and had to pass the tour to one of her colleagues. Everyone was enthralled and awed by her passion for Florence and Italy, for art, and for history. She made it all come alive as she introduced you to places and people, works of art and monuments, Tuscan traditions and crafts, its cuisine and wines. Her incredibly in-depth knowledge and joy shone through as she imparted to her guests “the history of the stones,” as she liked to describe her mission.

In return she demanded your attention. She didn’t linger but made sure you saw, appreciated, and remembered the treasures she unveiled. She loved questions and took inspiration from her guests, following their interests. She loved kids and had a special talent in making all of this “adult stuff” come alive for them.

And she put it all in context — in its era, in the political and cultural  environment of the times, in the societal realities, in its historical relevance—connecting the dots so that you came away with a deepened understanding of the culture of the times and how that impacts on the culture of today.

She loved it. And she loved life. And she was taken from us way too early.
Silvia had a profound knowledge of the richness, of the multiple facets and principal artifices of the art of the 1800’s as exhibited in Pitti Palace in Florence. Demonstrating her particular attachment to this period of art, she requested that people make donations in her memory to restore one of the works of this collection.  Many people generously gave to realize Silvia’s dying wish.  Her husband Erik collected enough funds to restore two works of art in the collection.

The first, the sculpted head of Francesco Forti done by Pietro Tenerani in 1842, was unveiled in its restored glory in February 2019, a year following Silvia’s death, and is located in the first room of the Galleria d’Arte Moderna in Pitti Palace, next to Tenerani's famous Psiche. This work was chosen particularly in memory of Silvia for its inscription on the pedestal of the sculpture:
                          “P. Tenerani, 1842. Moved by sentiments of friendship, this portrait was sculpted of the  
                              auditor Francesco Forti, a true light of civic wisdom, gone from us at the age of 32,
                                                                                  February 17th, 1838”
The second piece, Giuditta e Oloferne by Jacopo Ligozzi, part of the collection in Pitti’s Galleria Palantina, is currently under restoration and will be unveiled soon. Initially executed for Duke Vincenzo Gonzaga, the Grand Duke Fernando I of Tuscany, who was an ardent patron of Ligozzi, acquired it and had a duplicate sent to Gonzaga in Mantova. It will soon be restored to its proper glory in Silvia’s honor and memory.

In addition, her guide colleagues in Florence have, every first Sunday of February since her death, offered free guided tours of the Galleria d'Arte Moderna, honoring her passion for the period, her contribution to bringing alive the culture of Florence, and her inestimable friendship.

On a personal note, Silvia was also my daughter-in-law and a close friend whom I miss every day. I have never known anyone so cultured, so curious, so engaged in life and all of its gifts, so willing to share her knowledge and impart her passions. Simpatica, vivace, una forza della natura.  We are all poorer without her in our midst.

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